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Get it right… Work for Hire
One of the most important copyright concepts for photographers is “work made for hire,” and it’s one that many photographers do not fully understand. The major exception is if the photograph is a “work made for hire,” which can happen in two ways. First, if the person shooting the photograph is working within the scope of employment -- for example a newspaper’s employed staff photographer - the work will be a “work made for hire,” owned by the corporation. In Writing Second, a work may be a “work made for hire” if the photographer and the person ordering the work expressly agree in writing that that the photograph is a “work made for hire.” In such case, the photograph must also be “specially ordered or commissioned,” and must fit within one of the categories listed in Section 101 of the Copyright Act (a common category involving photographs is that the photos are a contribution to a collective work, such a magazine or newspaper). Because a court may find a work not to be a “work made for hire” even if that’s what the parties intended, a good “work made for hire” agreement will state that if the work is deemed not to be a “work made for hire,” the agreement will create an assignment of ownership from the photographer to the person ordering the work.A trap may occur if a photographer does business through a corporation. In such case, the photographer must For more information on “work made for hire,” see United States Code, 17 United States Code Section 101, 201(b), Community for Creative Non-Violence v. Reid, 109 S.Ct. 2166, 490 US 730, 104 L.Ed.2d 811 (1989), and Copyright Circular 9, Copyright © 2003 Stephen Filler. Stephen Filler is an attorney (www.nylawline.com
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